Denmark has chosen Magnus von Horn’s film “The Girl With the Needle” as its entry for the prestigious Best International Feature Film category at the Oscars, showcasing its ambition on a global stage. The film is not just a cinematic endeavor; it serves as a narrative that draws inspiration from one of Denmark’s most infamous murder cases, presenting a unique blend of poetic storytelling and dark fairy-tale elements. This choice reflects a broader intent to delve into Denmark’s historical shadows, especially the sociocultural repercussions of World War I on its populace.
“The Girl With the Needle” tells the story of Karoline, portrayed by Vic Carmen Sonne, a young factory worker grappling with the harsh realities of post-war Copenhagen. The character’s plight—unemployment, abandonment, and unexpected pregnancy—encapsulates the struggle of many women during a tumultuous period. Here, Karoline’s journey intersects with that of Dagmar, played by Trine Dyrholm, who operates an underground adoption agency. The dynamic between these two women forms the emotional backbone of the film, illustrating solidarity born from desperation. Their relationship evolves as Karoline becomes a wet-nurse, forcing her to confront unsettling truths about the society she lives in.
A Cinematic Achievement in Storytelling
Reviews, including that from Deadline, have characterized “The Girl With the Needle” as “an unequivocal and beguiling triumph,” celebrating its artistic merit. Co-written by von Horn and Line Langebek, the screenplay intricately weaves the characters’ personal trials with broader societal issues. The production quality, under the stewardship of Malene Blenkov and Mariusz Włodarski for the Nordisk Film Creative Alliance, indicates a commitment to storytelling precision and depth. Additionally, the support from various film institutes underscores a collaborative spirit in Danish cinema, further enriching the film’s narrative landscape.
Scheduled for a theatrical release in New York and Los Angeles on December 6 through MUBI, the film’s entry into the Oscar race garners greater attention from international audiences. Jacob Neiiendam, the Head of International at The Danish Film Institute, emphasized the unanimous consensus of the selection committee, indicating a strong belief in the film’s potency to resonate with Academy voters. Previous successes of Danish films at the Oscars, including titles like “Another Round” and “In a Better World,” set a hopeful precedent for “The Girl With the Needle.”
“The Girl With the Needle” not only represents Denmark’s cinematic aspirations but also stands as a significant commentary on the societal challenges faced by women in specific historical contexts. As the film navigates themes of loss, resilience, and maternal bonds, it raises pertinent questions about the past’s impact on contemporary societal norms. With its intricate storytelling and robust character development, the film promises to leave a lasting impression that extends well beyond the Oscar stage, enriching the dialogue around international cinema and its capacity to reflect human fragility and strength.
Leave a Reply